Indie Edit - Amaris and Chaya

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Meet Amaris and Chaya, an indie business creating a range of culturally diverse children’s dolls.

SoLo Craft Fair sits down with founder Temi to discuss how the brand came to be, how she hopes to encourage children to address multiculturalism during playtime, and her top tips for other aspiring makers looking to start an indie business.

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“I am a wife, a mother of two gorgeous kids, an aspiring entrepreneur with a creative, architectural and fashion retail background. I am a British African, hailing from my motherland of Nigeria.”

“I tend to think that I am an incredibly shy person although my family would disagree. However, they would accept that I am patient, easy going and the type of woman who always carries a smile on her face with a quirky personality. One of my ultimate life goals is to speak as many languages as possible. I can currently speak two, possibly even three, with an aspiration to speak up to seven in my lifetime.”

“Amaris and Chaya dolls were created when I couldn’t find a suitable doll for my daughter of four months at the time. I wanted her to have a doll that wasn’t plastic, that was soft, easy to play with and something she could hold onto, carry around and grow up with, without the worry that it would break if dropped. The idea was for the doll to ultimately create a positive representation of herself as a black little queen.”

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“As a black woman with a light skin tone growing up in London, I lived a life where I battled with my identity. I struggled to fit in, not wanting to draw attention to myself but instead be accepted for who I was and how I looked. It’s a lot to take in, but when you are young, everything can be so impressionable.”

“At the time, I loved to play with dolls but besides Barbie dolls there were no toys that positively represented me. Back then of course, Barbie dolls were not black, nor were there any other dolls available that represented black girls. Nothing my mother bought for me looked like me. It’s only since I’ve grown up and educated myself on who I am as a black woman, as well as becoming a wife and mother, that I’ve truly appreciated what being a confident, strong black woman is all about.”

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“Starting Amaris and Chaya for my daughter and ultimately for myself is a way to encourage the "black is beautiful" mindset in children during imaginative play. I have designed a range of Amigurumi dolls, fabric dolls, soft play dolls and accessories that have been deliberately made to present culturally relevant messages of empowerment, representation and inclusion, be it through their hair style, skin tone, eyes or appearance.”

“In this way, when children are playing with the dolls whilst pretending to be a parent, a doctor, a firefighter or an artist – anything they want to be – they’ll roleplay and act with the unconscious understanding that by looking like them, they can achieve and be anyone they want to be. Their differences should be celebrated and loved just like everyone else.”

"I realised that with imaginative play, children create characters that will interact and make decisions within their role that will go on to shape how they think of themselves and the world around them, as well as develop their language, social skills and emotional health.”

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“I aim to expand the collection of dolls to be as diverse as possible and showcase all skin colours as I truly believe that representation matters. I have, however, started with black and brown skin tones as they are currently underrepresented in the toy market today.”

“I would encourage other aspiring makers to do your research and, if you are truly passionate about what you want to produce and achieve, remain resolute in your determination and don't let any naysayers distract or discourage you. Failure only happens when you give up.”

Want to learn more about Amaris and Chaya? Find their products in the Indie Maker’s Shopping Guide, head over to their website to shop their full range and follow them on Instagram, Facebook and Twitter for their latest updates.

Indie Edit - Hello Recovery

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Meet Hello Recovery, a sustainable indie business with a focus on supporting people in their recovery from mental health issues.

SoLo Craft Fair sits down with founder Hannah to discuss what led to the creation of the company, her successful product range and her plans to expand the business this year.

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“I'm Hannah, I'm 22 years old and I'm the founder and sole worker of Hello Recovery. I love everything arts and crafts, alongside climbing and exploring! I studied Industrial Design at university and graduated last summer, and I’m now working full-time as an industrial designer and continuing Hello Recovery as my side hustle!”

“In 2013 I was diagnosed with anorexia (and depression and anxiety) and it took the next few years of treatment and therapy to start my recovery journey. With a lot of hard work and support from friends and family, I am so proud to say I beat anorexia. When I was ill I realised there was very little out there to help you recover or look after your mental health... if you break your leg there’s a whole variety of tools and aids to help you get better or to make things more comfortable, so why isn’t this the same for mental health? I wanted to do something about it and so Hello Recovery was born.”

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“I've been running Hello Recovery since 2015, and in that time I have sold over 500 personalised spoons (my very first product)! My bestselling products are the hand-stamped spoons and The Breathe Journal – a journal designed to help you look after your mental health.”

“I currently hand-stamp my metal products (personalised spoons and bracelets) at home in my garage, and print postcards off on my printer at home. I get the journal outsourced at a UK supplier who uses sustainably sourced paper and is carbon neutral. The environment is hugely important to me so all products and packaging are recyclable and better for the planet.”

“I originally designed the personalised spoons to provide positive reinforcement to those with eating disorders during difficult mealtimes, but their popularity has grown past that! People now buy them for a whole range of occasions from birthdays to anniversaries. The Breathe Journal is a space for you to focus on your mental wellbeing, providing a balance of coping strategies, techniques, distractions and activities. It is the perfect companion to anyone wanting to improve their mental health, whether you're diagnosed with a mental health condition or just looking to keep healthy and happy. Journals are £12.00 and are printed on sustainably sourced paper and come with free eco-friendly gift wrapping.”

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“I launched The Breathe Journal in April last year and after its success I am beginning to work on more new products! I have recently launched a positive postcard pack and am currently working on the designs of self-care stickers that will be released in the coming months. I am also working on a special edition gift set of my journal which I am so excited about!”

“I’ve been spending a lot more time and energy growing my social media platforms to reach more people and connect with other small businesses and makers, especially those supporting mental health. I love connecting with other small businesses and have taken part in networking events and some group giveaways over the last few months. I'm always open to collaborations!”

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“My advice to anyone wanting to start a small business is to go for it! You don’t have to have loads of followers or a lot of money, you just need to have passion and motivation! Before you start, try to do as much research as possible into existing products, trends and understanding the problem you’re trying to solve! Small businesses love to rally around and support each other, so definitely spend time getting to know the brilliant community of makers that are about.”

Want to learn more about Hello Recovery? Find their products in the Indie Maker’s Shopping Guide, head over to their website to shop their full range and follow them on Instagram and Facebook for their latest updates.

Indie Edit - Coffee Pod Creations

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Meet Coffee Pod Creations, a sustainable jewellery designer with a penchant for upcycling disposable coffee pods into unique wearable pieces.

SoLo Craft Fair sits down with founder Vicky to discuss how she settled on coffee pods, her passion for sustainable designs in a take-make-waste climate, and her tips for other creators and makers hoping to start a small business.

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“I’m Vicky and two of my main passions in life are teaching and jewellery. I’m a qualified teacher working in a Special Educational Needs school, and balance my career with creating from my kitchen table. Jewellery has been a passion of mine for as long as I can remember.”

“In fact, my first job was in a jewellery shop, in Hampshire at the age of sixteen – it was a varied role, the highlight of which for me was interacting with customers and running workshops to teach people to make their own necklaces and accessories. I absolutely loved it and although I was working, it didn’t ever feel like a chore!”

“Although I don’t have formal training in arts or crafts, I’ve got well over a decade’s experience working with a range of mediums – including glass, silver, beads and clay. As well as teaching and jewellery, I’ve also been environmentally aware – I studied Geography at Royal Holloway University, London and took a keen interest in sustainability of supply chains and the human impact on the environment. When you combine a love of jewellery, creating and an acute awareness of sustainability, that’s how Coffee Pod Creations was born a few short years ago!”

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“I launched Coffee Pod Creations three years ago after reading some truly staggering statistics on the sheer number of single use coffee pods that are simply thrown away. Did you know that 29,000 coffee pods are disposed of every single minute? That’s so much aluminium that just goes straight to landfill and damages our environment… I thought to myself, There must be a better way.”

“As aluminium is lightweight, versatile and hypoallergenic it’s an ideal material for jewellery making. I decided to make a difference by lovingly upcycling these pods. I began experimenting with how the different patterned pods could be incorporated into unique pieces of wearable art – the result being a variety of items, ranging from stud and tassel earrings to brooches and limited edition cufflinks that I sell at affordable prices meaning they’re good for both the environment and your pocket!”

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Stud earrings have proved a best seller as they are versatile everyday earrings. For those who want their accessories to make a statement and be more artistic, the floral brooches have been very popular. When I’m able to launch ‘limited edition’ ranges from rare patterned pods those sell out quickly too! My designs reflect the coffee pods I receive. Sometimes I'm only given a handful in a certain colour or pattern, which in turn makes some items limited edition (so be sure to check out my Etsy shop to see what's new!)”

“I'm continually reviewing my designs and thinking of alternative ways that I can upcycle coffee pods and other materials. The pandemic has caused quite a change in that my business model has become predominantly online. I’ve discovered a great community who support small businesses, including SoLo Craft Fair!”

“My top tips for aspiring makers? Do what you love and love what you do. Think about what you’re making and why – if you feel passionate about it, your enthusiasm will inspire others and enable you to build momentum.”

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“More and more of us are beginning to ask how and where our clothing is made – I think we should ask the same questions about our jewellery and accessories. We all have a common goal for a sustainable future. I’m proud to say that Coffee Pod Creations looks beyond the traditional take-make-waste model and focuses on upcycling for the good of us all.”

“Culturally, the coffee capsule is a symbol of a busy lifestyle. My work represents the opposite: the slowing down and appreciation of the little things. It is a conscious move towards a more sustainable jewellery practice. I believe Coffee Pod Creations encapsulates the creative spirit in us all. I hope you will join me on this fascinating journey of discovery to see where it leads.”

Want to learn more about Coffee Pod Creations? Find their products in the Indie Maker’s Shopping Guide, head over to their website to shop their full range and follow them on Instagram and Facebook for their latest updates.

Indie Edit - Handmade by Tinni

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Meet Paulomi from Handmade by Tinni, a self-taught textile jewellery designer based in London. SoLo Craft Fair sits down with founder Paulomi to discuss the difficulties of building a business during a global pandemic, the ethos and inspirations behind Handmade by Tinni, and her top tips for other aspiring makers.

“I decided to launch my brand during a very challenging time when the whole world was going through a crisis. The life we used to know has changed drastically and we’ve all had to adjust to a new normal – hello Zoom, sanitisers, masks and lockdown.”

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“It’s nerve-racking and scary for any business, let alone a new independent creative launch. Additionally, I’m a social person at heart and thrive on face-to-face meetings and interactions. The lack of human interaction at craft fairs and exhibitions has really added to the challenge. But when life throws you a lemon, you learn to make lemonade with it.”

In difficult circumstances Paulomi took to building her brand online. “Social media was a big help and with the use of intelligent hashtags, engaging content, clean photography and my creative prowess, I was able to convert visitors to my social media page into followers and then customers. I am a sales and marketing professional after all.”

The name Tinni is used as it reflects Paulomi’s alternative personality. “It’s my pet name – cheeky, full of fun and colourful.” Handmade by Tinni was a natural step for Paulomi who has always had a passion for unique, handcrafted jewellery.

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“When I set up my brand in 2020 my inspirations were drawn from the bright colours of nature, the amazing places that I have travelled to over the years and most importantly from the rich heritage of India. I’m really proud that at the age of 40 I took a leap of faith and bravely started a new design venture. Although not an easy decision, it’s certainly been very satisfying.”

“I mainly use age-old rope knotting crafts and techniques like macramé – creating colourful, unique and bold designs is what makes my textile jewellery stand out! I chose cotton as my main design medium as I am passionate about the environment.

It’s sustainable and biodegradable, soft to wear, hypoallergenic, colourful, and extremely flexible to use, allowing my imagination to flow.”

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Paulomi admits that she takes great pride in making each piece by hand. “I believe jewellery has the power to bring joy to our day. This motivates me to design colourful, bold designs that can make the consumer look beautiful, glow with happiness and stand out in a crowd. Love nature, look beautiful and be proud.”

Paulomi hopes to grow Handmade by Tinni over the next two to three years, with the aim of scaling up the business into a reputable, sustainable UK design brand.

“I plan to explore creative partnerships and brand collaborations to add flare to my business. At the same time I want to expand my wholesale partnerships and grow the revenue from that angle. I hope to always remain true to the original ethos of being a small independent design brand that is sustainable, colourful, and unusual – just like me.”

Paulomi recognises how demanding a new business can be. “As a business owner you need to be prepared to wear multiple hats. It’s exciting and liberating. In one day you can be the creator, the digital marketing manager, the accountant, the administrator, the social media manager, the customer service manager, the salesperson, and the head designer. Remember to take a break from it all as balance is key for your wellbeing.”

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“My other top tips would be to not waste too much time on perfecting your images. Aesthetics are important but often that time could be spent doing something far more productive. Make use of image-editing apps! Start an email list, and don’t worry too much about follower numbers, just focus on creating engaging content from the very start! And remember, it’s never too late to set another goal or to dream a new dream!”

Want to learn more about Handmade by Tinni? Find their products in the Indie Maker’s Shopping Guide, head over to their website to shop their full range and follow them on Instagram, Facebook and Twitter for their latest updates.

Indie Edit - Allie & Co. Studio

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Meet Allie & Co. Studio, a fashion designer hoping to revive the art of sewing in a world where 'fast fashion' is stifling creativity and harming the planet.

SoLo Craft Fair sits down with founder Cleo Weeden to discuss where it all began, the ethos behind the brand and plans for an expanding product range later this year.

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Allie & Co. Studio’s namesake, ‘Allie’ was Cleo’s grandmother, an incredibly creative woman who, if born in a different era, would undoubtedly have run a successful creative agency. Cleo has been sewing from as early as she could thread a needle. She was taught by her mother and grandmother, but also honed her skills sub-majoring in Fashion Design during a design degree in Sydney at The University of Technology.

“Sewing has always made me feel more centred and sparks creativity in me that other aspects of my design career are unable to do. I want to share this with people through Allie & Co. Studio.”

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Allie & Co. Studio aims to make sewing more accessible and fashionable in a world where 'fast fashion' is stifling creativity and hurting the planet. Allie & Co. unlocks the joy of sewing for beginners through curated sewing kits – a beautifully presented box with everything needed to make a fashionable well-fitting garment, including in-house designed patterns and fabrics and notations sourced from the founder’s favourite fabric suppliers.

Over the coming months Allie & Co. will be expanding their range of women's patterns and in the summer they will be launching a few men’s kits too.

“We’re planning on offering free online basic video tutorials and keep an eye out for some free fun patterns that we will be releasing soon. We’re working on some gorgeous new fabrics as we near spring and summer, and we’re always on the lookout for collaborations, especially UK based fabric designers.”

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For years sewing had remained a pastime for Cleo. “It’s been an amazing journey to turn my hobby and passion into a business. We are in the very early stages of growing as a company. I still juggle the running of Allie & Co. with a part time role in the interior design industry, but the days I have set aside for Allie & Co. Studio are the days I look forward to the most in the week!”

“I truly believe that an understanding of sewing and making plays a key role in how we will turn the tide on fast fashion. If you have spent time sewing and creating a garment, you see the value in it, you repair it when it needs attention, and you certainly don't throw it away after just one or two wears.”

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“Similarly, my sewing skills have meant that I've always gravitated towards vintage and charity stores, renovating, adjusting and breathing new life into any pieces I find. Sewing has always provided me with an outlet to express myself that buying the same, replicated garment from the high street, reproduced thousands of times over, simply never could.”

Want to learn more about Allie & Co. Studio? Find their products in the Indie Maker’s Shopping Guide, head over to their website to shop their full range and follow them on Instagram and Facebook for their latest updates.

Indie Edit - Ginger Doodles Designs

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Meet Ginger Doodles Designs, an illustrator with a knack for stencil design and bold, pun-tastic creations!

Hailing from trendy South London, SoLo Craft Fair sits down with Ginger Doodles Designs to discuss how the brand evolved, the process behind the products and plans for a growing fashion and accessories range.

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“I’ve worked for several years as an illustrator creating illustrations for a range of publications, websites and children’s books. Having studied illustration to degree level, I had experimented with printing, but focused on a more mixed media illustration style, combining traditional and digital drawing techniques. However, I finally decided that designing for myself was a more creatively liberating option, and so Ginger Doodles Designs was born!”

“A couple of years ago I reduced my number of freelance illustration clients and so had more time to focus on designing for myself, and creating work that not only made me happy but also made other people happy as well.”

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“Combining my illustration skills and screen print methods, my designs feature bold colours and pun-tastic typography, mixed together with childhood nostalgia with the aim of raising a smile.”

“I started out (and still do mostly to this day) using stencils to create colour layers for each printed image. Each product is unique as they are all individually handmade. I love the simplicity of this way of design, and letting the illustration and colour do the talking.”

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“Initially starting with tote bags, greetings cards and prints, my product range has now expanded to include baby clothing and a large accessories range, featuring my latest designs printed onto fabric and then sewn by me. These include wash bags, drawstring bags and travel accessories, as well as more modern items such as facemasks.”

“I like to create items that can be used every day, not only to cut down on single use plastics but also to make products that aren’t deemed ‘throw-away’ items. Instead, each can be treasured and used repeatedly.”

“I am currently working on new designs for my fabric range, and looking into potentially selling the fabric by the metre. Product wise I would like to expand to include stationery items as well as some new print designs – lots of ideas swirling around my head at the moment so watch this space to see what materialises!”

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“My top tip for other aspiring makers? Just do it. The first things that you design and make will most likely not end up being where you stay - the only way to grow is to continuously move forward and learn. Also, you can never do enough research: recommendations are great but you won't find out what works for you until you get started.”

Want to learn more about Ginger Doodles Designs? Find their products in the Indie Maker’s Shopping Guide, head over to their website to shop their full range and follow them on Instagram, Facebook and Twitter for their latest updates.

Indie Edit - That Girl In Green

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Meet That Girl In Green, a mother and daughter team selling handmade gifts in green!

The pair have created, curated and commissioned a range of amazing products, some made by themselves, others designed and sourced in collaboration with a group of talented artisan friends they feel privileged to be surrounded by.

SoLo Craft Fair sits down with That Girl In Green to discuss the story behind the brand, their inspirations, their achievements and their top tips for other aspiring makers.

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“I am a jewellery designer and have been in business now for nearly 20 years, trading as Rohanna Jewellery. My passion has always been combining an eclectic mix of shapes and textures with colour as the key theme. My daughter Rosie is a ceramicist having recently graduated with an MA from the Royal College of Art. Her passion has always been sculpture, with an emphasis on birds and their eye-catching plumage.”

“We created That Girl In Green on a trip to the Yorkshire Sculpture Park over a glass of Prosecco in a beautiful restaurant. My desire was to do something different and Rosie wanted to collaborate on a commercial side alongside her ceramics practice. Rosie has always been obsessed with the colour green and everything she wears is green. And my wardrobe isn’t too dissimilar thanks to her influence. It seemed logical from this obsession to create and commission everything in the colour green!”

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“We strive to be green in both colour and outlook, sourcing and designing high quality handmade and environmentally friendly gifts. We want to support all efforts to Save Our Planet and reduce the amount of plastic used every day. And as a result of our combined creative backgrounds we have a network of designers who we can draw on to help create our range, which in turn helps to support their small businesses. And it goes without saying, everything has to be green!”

“We are constantly looking for new products to add to our eco-friendly range. The Eco Straw Kit has been one of our bestsellers. We’ve thought about the ease of using them and have added a handmade pouch to hold the straws and cutlery – a great addition to your handbag. And of course we try to be stylish and use lovely fabrics from the likes of Liberty and William Morris for example. Our gift range generally has a natural theme – bees, flowers and birds feature quite a lot. Everything has to be handmade in the UK using natural ingredients and is made in small batches.”

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“Other top sellers include our Beeswax Wraps, Reusable Make Up Wipes and Reusable Straw and Cutlery Kits. I think everyone was ready to embrace a plastic free environment so our timing was perfect. More recently our artisan gifts such as our Ceramic Seed Poppy Heads and Stained Glass Birds have been popular.”

“Our greatest achievement to-date has been starting That Girl In Green – from a glint of an idea to the creation of a small business, selling in a number of retail shops and being accepted at a number of prestigious fairs such as the Country Living Fair, all in less than a year! We’re currently working on growing our online presence. We are busy polishing the website and our social media platforms. We are also in the process of creating a new range – top secret for now but influenced by ceramics.”

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“Our top tips for other apsiring makers? Only make things you enjoy making and take pride in – this will come across in your work and be an important part of your brand. Create a consistent, recognisable look with both your products and labelling. Always give thought to how you display your products and try to imagine what your customers see – this will give you an insight into how you can encourage them to stop and talk to you. And seek advice from other designers and makers. We’re generally a friendly crowd and want to help others succeed in their small businesses.”

Want to learn more about That Girl In Green? Find their products in the Indie Maker’s Shopping Guide, head over to their website to shop their full range and follow them on Instagram, Facebook and Twitter for their latest updates.

Our Collaboration with Noissue

These are strange times for everyone, and an extra-challenging one for small creative businesses. This is the reason why we have started our weekly Virtual Craft Markets — to give free exposure to many makers and artists affected by these trying times.

This week, we have a very special addition to our Virtual Market as we run an exciting giveaway contest in collaboration with Noissue! Noissue is a  sustainable packaging company that provides artists, makers and small businesses of different kinds the freedom to customise their eco-friendly packaging and offer low minimum order quantities. Professional, customised packaging that doesn’t break the bank, but absolutely makes your brand stand out! Together with noissue, Solo Craft Fair’s goal is to support small creative businesses during this uncertain time.

Catch us as we host our first ever noissue x Solo Craft Fair giveaway on Instagram! One lucky business/brand will get a chance to win 250 pieces of noissue 100% compostable mailers to help their business take the first step to become sustainable!

If you’d like to take part in this competition, check out our Instagram page for more information. Winner will be randomly selected on 25th April, 2020.

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Thank you to Discount Sticker Printing

SoLo Craft Fair will once again be handing out custom stickers provided by Discount Sticker Printing.

Previously Discount Sticker Printing provided us with our own custom stickers that we handed out at one of our special Pride market in Balham. The new stickers will enable us to promote our craft markets and grow our business further.

Based in Doncaster, Discount Sticker Printing is one of the UK’s largest sticker and label printing companies. Rapid turnaround times and competitive prices mean customers can order stickers or labels and have them delivered within a matter of days.

The company’s state-of-the-art printers and laser technologies mean stickers can be cut to almost any shape or size. So, whether you need textured paper labels, clear window stickers or metallic packaging labels, Discount Sticker Printing will be able to help!

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It's the most wonderful time of year...

We can't believe it's that time of year again..

Where has the year gone, eh? We've had an amazing year of markets across South London and looking forward to finishing the year with a bang!

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We have three events this festive season and would love for you all to apply.

As always, all applicants must have public liability insurance and unfortunately we cannot accept any food stalls (only cakes!). You will need to apply to each event separately and please make sure you double check all your information is correct before pressing submit.

Workshop leaders and musicians please email us directly.

Sunday 19th November, Prince of Wales, Brixton.
This is our biggest venue, with over 50 stalls trading at the event, there will be musicians and a room especially for workshops. There are two stall options for this market; club room stall or lower roof terrace stall. The club room will be where a majority of the stalls are and the bands, the lower roof terrace is outside but will be covered and with patio heaters and host the kids activity corner and workshop. Please note this market is upstairs with no wheelchair access.

Club Room 4ftx 2ft Table: £50
Club Room No Table - Pitch Only: £50
Lower Roof Terrace 4ft x 2ft Table: £45
Lower Roof Terrace No Table - Pitch Only: £45
 
Saturday 2nd December, The Chancery, Beckenham
This is our smallest event with space for 20 traders in this bright venue, which attracts a lot of families. There will be a few options for stalls at the event, upstairs and downstairs.

Downstairs Large Table 5ft x 3ft: £40
Downstairs Small Table 3ft x 3ft: £35
Upstairs Large Table 5ft x 3ft: £35
Upstairs Small Table 5ft x 3ft: £30
Upstairs No Table - Pitch Only 3ft x 3ft: £25

Sunday 10th December, Balham Bowls Club, Balham
Balham Bowls Club is our longest standing venue - the quirky pub lends itself to our events perfectly. The event will be upstairs in the ballroom with approx 30 stalls, live music and a workshop. There will be three options for a stall, large table, half table or pitch only. Please note this event is upstairs.

6ft x 2ft Table: £55
3ft x 2ft Half Table: £35
Pitch Only 3ft x 2ft: £35

To apply to our Christmas events please click here. Applications close on 20th October, we will respond to all applications within 3 weeks of this date.

Unsure that SoLo Craft Fair is for you? Come visit us at our next event at Prince of Wales, Brixton on Sunday 24th September. We'll be there 12-5pm!

5 Minutes with musician, Lily Ward

Lily Ward will be performing at our event next week at Prince of Wales in Brixton. This singer has a beautiful unique sound, make sure you don't miss her set!

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Could you tell us about how you got into music?

I come from a musical family - my earliest and happiest childhood memories are listening to music and dancing in the living room with my Dad - to everything from rock and roll to Billy Holiday. I'm classically trained on Piano, which I've played since the age of 4 and I write piano music, too - but it's only recently, in the past couple of years, that I've started to play guitar. My Mum and Dad met at a classical guitar class so maybe it was in my blood all along! :) 

Can you describe your sound to our readers?

I would say... finger-picking gentle folk. I'm recording at the moment and on the tracks there will be lots of layers of lovely vocal harmonies - but for now, it's just me and my guitar when I'm live. 
 

You perform with a choir as well as solo - could you tell us a bit about your experiences with both?

I sing with London Contemporary Voices - I joined the choir just after they started, almost 7 years ago now, and in it I found the most incredible London-based musical family. They're all amazing, talented, lovely people and through the choir I've done everything from singing on BBC Radio, to backing artists like Sam Smith and Imogen Heap, and having a tonne of fun at festivals.

In terms of performing solo - I actually have pretty bad stage fright, so it's only been recently that I've managed to find ways to overcome that. I love sharing my songs and hopefully giving people something to enjoy listening to... and I'm hoping that eventually the stage fright will disappear altogether!

Where can we find out more about your musical ventures?

I'm @lilywardmusic on Instagram - and in fact just created this new page so any support welcome! On Facebook it's Lily Ward Music and my website is at www.lilywardmusic.co.uk 

5 Minutes with musician, Velodrome

Described as "Kate Bush meets medieval minstrels meets the White Stripes" there is nothing to not to like. Velodrome will be performing her quirky guitar set at 3pm in the club room of the venue. We've had a quick chat with Katherine Evans from Velodrome to find out more:
 

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You're a classically trained singer and dancer, where did you train and when did you form Velodrome?

Yes I am a classically trained singer. I never got the chance to go to music college but I trained at home with my father who is a pianist and singing teacher. My grandparents were opera singers - though sadly I never heard them sing.
 

We've been listening to your single 'Steady Girl' constantly in the SoLo Craft Fair office - can you explain to us what the song is about and when you wrote it?

I'm so glad you like Steady Girl! It's a song I wrote unusually quickly for me, one afternoon when I was supposed to go and meet a friend. The song just came to me... and it made me late for my appointment! 

 

It's a song about my struggle to make a living as an artist and musician in an increasingly expensive and materialistic London.

 

It's also about my personal experience when I had to sign on at my local job centre: instead of supporting people to get back into long term rewarding work, they humiliate and degrade you and force you into unsuitable roles. It's shameful. 

 

Lastly, the song is about how anxiety and OCD have affected me and how I manage to live my life despite them....It's so important that we talk more openly about mental health and that it's no longer a stigma.
 

Who are your musical inspirations?

 

Oh gosh, I have too many musical inspirations to list them all! I'm inspired by Russian and East European classical composers like Stravinsky and Bartok. Their music is so bohemian, innovative and passionate. I love classic rock n roll bands like the Rolling Stones. And anything from the 80s...Oh I do love a bit of Tina Turner!
 

Where else can we see you perform in the upcoming months?

I'm finishing a busy summer of touring and festivals by playing at 'Loud Women', a grassroots DIY and feminist music festival in September. Then I'm going back into the studio for Autumn to record my first EP! 

 

We love you! Where can we keep up to date with all your news?

You can keep up to date with all my news by following me on social media- I'm on Bandcamp, Facebook, Instagram and Twitter... just search for 'Velodrome Music'. Watch out for my first official studio single in Autumn! I'm currently filming a crazy music video in Yorkshire, where I'm going to be running around dressed as a medieval minstrel!


Make sure you don't miss Velodrome's set at 3pm on Sunday 24th September. Come join us for 50 independent traders, workshops and live music on Sunday 24th September at Prince of Wales, 467- 469 Brixton Rd, Brixton, London SW9 8HH 12-5pm, free entry and sweets! 

 

 

Five Minutes with visual artist Joe Simpson

Joe Simpson's exhibition 'Figure Painting: An Exhibition of Paintings of Action Figures' opens this week in East London. The exhibition explores his studies of action figures from 1970s, 1980s and 1990s that moulded many of our childhoods. We chat to Joe Simpson about his inspirations for his creative practice and find out more of what to expect at his figure painting exhibition.

Joe Simpson SoLo Craft Fair

Joe Simpson, you are known primarily as a portrait artist, what inspired you to start the action figure painting series?

It’s a bit of a departure – I’m in the middle of a project painting actors that I started in 2014, and I wanted to work on some smaller paintings to break it up.  I was looking through my old belongings in my mum’s attic and found all my old toys and felt a real urge to paint them.  I only planned to do a few, but once I started I didn’t stop - a year later I’ve made 34 paintings and ended up with enough for an exhibition. 

You describe your upcoming exhibition as a love letter to the action figures of the 1970s, 1980s and 1990s - will many guest find a sense of nostalgia at the exhibition?

 I hope so.  When I found the toys again, it instantly transported me back to memories of being a child.  They’re wonderful relics of childhood and were so important to me at the time.  Lot’s of people have described a similar sensation when viewing the paintings and shared their own personal memories of playing with them.  So I hope it will appeal to a certain generation who grew up with them.

 Your artist career has given you the opportunity to work on many different projects and with many celebrities, can you pinpoint one of the best moments/projects of your career?

 That’s hard to say, but I remember feeling especially proud when my portrait of Maxi Jazz was included in the BP Portrait Award exhibition at The National Portrait Gallery.  That was a real highlight.

 Your work is very realistic, can you explain your process to create your oil paintings?

 I start with a basic pencil outline, then block the basic background colours in to give a base coat.  I then slowly build up layers adding more variations of colour and tone, with increasing details to try and create a really rich painting.  I have lots of time lapse films on my website that show the whole process!

 Do you remember the point when you decided to become an artist?

 I’ve always been interested in making creative things and choose to study Fine Art at university, but at that point I didn’t necessarily plan to be an artist.  During the course I became really absorbed in my painting, and started entering competitions and putting on small exhibitions.  I decided to give it a year or so trying to make it as an artist, and 10 years later I’m still chipping away.

 If you weren't an artist, what can you imagine yourself doing?

 I love movies, so maybe I’d like to work in film in some capacity if I wasn’t painting.  I try to make my paintings look as cinematic as possible.

 So your exhibition 'Figure Painting: An Exhibition of Paintings of Action Figures' opens this week - please tell us more!

 Figure Painting is showing at The Old Truman Brewery in Brick Lane, from Feb 24th – March 5th.  Open everyday 11am – 7pm – Admission is free!  It’s a totally independent show, so I’ll be there practically the whole time – come and say hello!

 How can our readers view more of your work?

 www.joe-simpson.co.uk

@joesimpsonart

facebook/joesimpsonartist

Joe Simpson SoLo Craft Fair
Joe Simpson SoLo Craft fair

Interview with London Drawing Group

London Drawing Group are new on the scene bringing their love of drawing to London. From incredible art exhibitions to drawing workshops these three women are the ones to watch.

Do you remember the moment you decided to form the London Drawing Group - what inspired you to start the collective? 

Actually we ended up forming the collective more or less by chance, the three of us met at the Royal Drawing School on The Drawing Intensive term and stayed in contact after we’d studied on it, we went to an exhibition together and the idea for the group came about in response to a residency opportunity at Lewisham Arthouse which turned into our first big project as a group.

How do you feel working as a collective benefits your practice? 

It’s great that there’s three of us because it means that we can share the workload, we all have different strengths and interests and quite often we seem to balance each other out, also when you’re hanging four exhibitions in the space of a month it helps to have three pairs of hands!

How would you describe your artistic styles? 

We’re a totally mixed bunch, our backgrounds are really varied with Fashion, Illustration and Fine Art but we all kind of meet in the middle in our love for drawing which is where LDG came from.

You run many workshops, please tell us about what they include? 

In the past we’ve run a whole series of free workshops and exhibitions at Lewisham Arthouse as part of our residency which went down really well, and we’ve just completed a really successful series of workshops working with the Bridget Riley Art Foundation in the Prints and Drawings department at the British Museum where we were lucky enough to teach classes from some incredible original prints and drawings, including Rubens, Goya and Rembrandt among many others!

What advice would you give to any aspiring artists? 

JOIN OUR MAILING LIST!

Which artists do you admire as why? 

Francis Bacon, Picasso, Rodin, Cezanne, Basquiat, Schwitters, there are so many that its hard to choose!

Tell us about LDG's plans for the future?

We’re now starting a new series of weekly life drawing sessions at Buster Mantis in Deptford on Sundays, and we’re currently really excited about organising our next series of events at The National Gallery and Tate Britain as well as a new series of drawing workshops at the British Museum.

What's the best place in London? 

We’re so lucky in London to have so many incredible free artistic resources, The National Gallery, British Museum, V&A, the Tates, all these places have so much history and inspiration that it would be hard to pick just one.

www.londondrawinggroup.com

Five Minutes with PopUp Painting

Social Painting is the biggest craze to hit cities all over the world to encourage people to get creative. Pop Up Painting is the first company in the UK to introduce the concept of taking art out of the gallery and making art accessible to all. We chat to Gareth Shelton, one of the founders of the company about what it was like to introduce a completely new idea to the social scene.

What is Pop Up Painting, and how long have you been running?

PopUp Painting is a ‘social painting and wine’ events company, inspired by the ‘sip and paint’ trend in the United States. We’ve been running for three and a half years – we launched in 2013 in the Soho Hotel. All of our events are themed around masterpieces (Van Gogh, Banksy) and have accompanying soundtracks, and sometimes even themed locations and other touches. We pop up in bars, restaurants and workplaces across London, Birmingham and Brighton. Importantly, our market is young professionals who don’t consider themselves ‘arty’ or even particularly creative. We get a lot of people working on law, finance or health come along. It’s a chance to do something a little bit different on a night out, and unleash your creativity while having a good time with friends or meeting new people.

What inspired you to start your business? Tell us about the first moment you decided to start PopUp Painting?

Our business partner, Rick, initially suggested to us that we start a ‘sip and paint’ company in the UK. He is a serial entrepreneur (and former US Air Force Pilot), and owns Cocktails and Creations, our sister company in the States. In February 2013 we flew over to Boston (USA) to try an event. None of us (neither myself, Phyllisa nor Rick – the founders) have an artistic background. I was personally really surprised by how much I enjoyed it. From there we definitely felt this was something that could work.

What’s your background? As a non-artist, what has it been like working in a creative business?

My undergraduate degree was in History and Politics, and I’m now taking a Masters in Political Economy at the LSE. So painting and events are quite different to me. It's been very interesting to see how artists live - it's often quite precarious - and it's been rewarding to see guests enjoying themselves and really unleashing their creativity. 

What is the best advice you've been given since starting PopUp Painting?  

Be customer focused, not product focused. It's not so much about what you want to sell, but what your customer wants to buy. Have a clear idea of who your customer is, and go from there. What do young professionals want? That's got quite different answers to 'what does an art lover want?' or 'what do children or elderly people want?'.

What advice would you give to someone trying to start their own creative business?

Be patient. Be really, really patient. And while it’s not always easy – you need to carve out the time for real business development. Especially in a small company, it’s easy to get bogged down in just handling things as they come in. Wherever possible, carve out time for planning and being proactive, rather than just reactive.

But also, don’t let perfection be the enemy of the good. Don’t get so bogged down in making the perfect campaign or email that you don’t end up sending it at all!

What have been the hardest moments?  Have you ever thought about giving up?

Anyone who is self employed or runs an SME will know that it is hard work. Events, especially, are really time consuming. In the day we're doing promotional and business development work, and then in the evening we're out on location. It doesn't leave a lot of time for your personal life. And when you're just starting up, you're not in a position to hire more people to do the work for you. We've just got to that point now, but getting through that was hard. Cancelling events, too, is always horrible. We're running more events than ever before, but a couple of times a month an event just doesn't sell - which is disheartening. Giving up has crossed my mind, but never given serious thought to it. Despite everything we're going in the right direction, even if we wish we were going a little bit faster from time to time.

What do you love most about running PopUp Painting? Has there been a highlight?

I think it has to be those moments where someone who started the event a little anxious sees their painting come together, and they are glowing with pride. The painting doesn't have to be perfect - but they're amazed at themselves for being able to paint anything at all. That's lovely. 

Please tell us how can someone find your company online: 

People can find us in bars, restaurants and workplaces right across London, Birmingham and Brighton. People can book for one of our public events (we schedule over 30 a month!) or find out about our private and corporate events at www.popuppainting.com, and we’re on Facebook, Twitter and Instagram @popuppainting/#popuppainting.

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Interview with Gin and Tea Club

We chat to Briony and Simone, two good friends who earlier this year began 'Gin and Tea Club' - a South London company who specialise in beautiful hand crafted cards. We discuss the benefits of working with someone in a creative company and of course, Gin and Tea.

Do you remember the moment you decided to form G&T - what inspired you to start the business?

Like most great stories, it just happened. I have the gin and tea club on the wall in my kitchen and we were both drinking tea one day and talking about expanding Briony's art work into cards and I had been looking to do something crafty and then as they say the rest is history. We thought it would be great fun to collaborate and design cut and draw together.

How do you feel working as a collaboration benefits your practice? 

We work very well together, we get on great and it's very easy sharing the work load and leaving jobs for the other. It's been very easy and we have been lucky.

What's the best piece of advice have you been given since starting your company?

To just go for it, you have nothing to lose and to not be shy. Always be confident and proud of your work.

When you're not working on Gin & Tea what do you both do?

Briony works at an artist studio in London and also runs Briony Mullan designs. Simone is a trauma specialist Radiographer in London. We live next door to each other and spend a lot of time together as do our partners which is handy as Briony is my bridesmaid next year and Dave Briony's partner is one of my husband to be's usher.

What's the best piece of advice have you been given since starting your company?

Keep your accounts in check and record all sales and popularity of colours and styles etc.

Tell us about G&Ts plans for the future?

We always want to try and expand into wedding lines of stationary and invites etc. Christmas and valentine's are big days for us so we will be working hard on those.

For the rest of your life, if you had to chose: Gin or Tea?

This is like the ultimate choice, the day starts with tea and ends with gin. I think ultimately tea because it solves anything, but then so does gin......... Gin, no tea, no gin.......

To See more of Gin and Tea Club's work please click here.

SoLo Craft Fair: Meet the Trader - Grimm 188

We get to chat to Laura Kate of Grimm 188, a company that sells bright handwoven accessories. Laura tells us how a change in work circumstances encouraged her to follow her aspirations of starting her own crafting business.

Tell us a little about what you do.

I am a fibre and textile crafter. I learned to sew as a child, began knitting as a student, and took up weaving a few years ago. Currently, my work focuses on handwoven scarves/wraps and stitched accessories. As I'm also a student of hand lettering, I'm planning to add some lovely scripted items to my offerings for the holidays. 

What inspired you to start your business?

My degrees are in Education and I am a teacher by trade and taught reception for some years here in London. As an American, when the rules on foreign teachers changed, I chose to explore my love of handmade rather than going back to get yet another degree. I miss the classroom, but also love working with textiles and colours!

How long have you been running your creative business?

About 2 years.

The name, Grimm 188 is unusual!  How did you chose it? 

The name of my business comes from the academic numbering of the Grimm Brothers' fairy tale "The Spindle, The Shuttle, & The Needle" - it's not my favourite story message-wise, but it's absolutely what my business is about: sewing, weaving, and yarn.

Do you think your brand represents you as a person?

My designs tend to be bright, colourful, and a bit different.  They're probably a bit what I aspire to be... but I own a lot of black! 

What advice would you give to someone trying to start their own start up?

Make a plan. Do the work.  Treat it like a business. Success does not happen overnight and requires a lot of paddling under the calm water!

Which small creative company do you admire and why?

A few folks definitely fit in this box for me: I've loved watching my crafty online friend Rachel of Rachel Emma Studio blossom from crafty blogger to gold foil boss; Kristin of Hey Paul Studios/Eat, Drink, Stitch is inspirational for having faith to go at her handmade business full time and wildly succeeding; and Mollie of Wild Olive grows from strength to strength and I'm never surprised when I see her little smiling faces appear in another magazine or website - it's a testament to her hard work.

Please tell us how someone can find your company online 

My website & portfolio , Etsy shop and on social media as @grimm188

Grimm 188 will be selling her handmade goods at SoLo Craft fair's Christmas Market at Balham Bowls Club, 11th December

Five minutes with Kimono Kraft

We chat to Juliet Mayo, the founder of Kimono Kraft, a fantasic company that makes homeware out of upcycled Kimonos. Read Juliet's story of how she started the company and made it to what it is today.

Kimono Kraft at SoLo Craft Fair 

Kimono Kraft at SoLo Craft Fair 


What inspired you to start your business?

I have always sewn and having made a patchwork kimono cushion for a friend’s birthday, I looked at the final item and thought, I’m on to something here. I’m a little bit addicted to fabrics, Japanese designs in particular so this also felt like a way to justify that passion… and hoarding. With the current revival of home crafts too, it also felt perfect timing to venture into making pieces to sell.

Where do you source the vintage kimonos? 

I mainly buy from auction sites such as ebay. I used to be cagey about this when talking to customers, but I realised the internet makes things so accessible, many could find where you can buy the material easily enough. It’s having the patience to turn it in to something else that counts! I have bought from markets, Selvedge have a truly inspiring one, there are many makers there but also people selling material too, but these tend to cost more.  I mainly buy through ebay but after following certain rules, I only bid in the last 15 seconds, if it’s gone higher that I want to pay before then I ‘walk away’. I also only buy direct from sellers in Japan, keeping an element of authenticity.

How long have you been running Kimono Kraft?

I officially starting in Autumn 2013. It all came together after a batch of fabric arrived and there was a surprise piece in there I didn’t expect. It was a small section around 20cm square and had a charming, rather rotund character depicted on it. I had found my mascot and logo all at once.

What advice would you give to someone trying to start their own creative business?

Simply go for it… but do your research. Get an idea of what else is out there similar to what you intend to produce, it’s good to know your competition but more importantly how you should price things. Also be patient, you can’t expect immediate results. Markets are where you can test the water and are great to help you tailor your range, but also to speak with potential customers. Not only do they feel engaged but you will learn invaluable information about your product. This also means you do actually talk to people when you are running a stall. You can make the most beautiful pieces but if you stand there looking awkward and unable to chat, it can really put customers off. Buying from makers is all about the experience, you need to sell yourself as well as your wares!

Which other company that upcycles products do you admire and why?

Ugly Duckling

There are many people who upcycle furniture but Sarah is by far the best. She has a joyous sense of colour but at times a playful approach. She creates one-off pieces of furniture that are conversation makers. I remember a chest of drawers that has an outrageous flamingo design on the front which covered the drawers. Needless to say it sold straight away. Think more wildlife programme rather that kitsch though, her pieces are beautifully put together. She’s good fun too, we are often at the same markets.

What do you love most about running Kimono Kraft?

Many things, I get to make my pieces at home which is very convenient. The thrill when a parcel arrives with new material, all postage stamped from Japan. I try not to rush and wait for a quiet moment to plan what I’ll sew. On the selling side, meeting people and especially repeat customers, I have a few people who regularly buy and I feel honoured they come back for more. Also the stories people tell you, I had an elderly gentleman who bought one of my patchwork cushions, he said he lived alone but wanted something to make it more homely, I was so touched that he choose something of mine to do this for him.

Please tell us how can someone find your company online: 

I have an etsy shop - and also a facebook page where I tend to announce my up and coming markets. I am also very happy for anyone to contact me with ideas or for commissions.

 

You can find Kimono Kraft at SoLo Craft fair's Christmas Market at Balham Bowls Club, 11th December

Interview with Sham City Roasters

Dave Cullern of Sham City Roasters tells us of his story of how he went from a psychiatric nurse to coffee roaster to owning his own coffee shop. In just two incredible years Cullern tells us how he made his dreams come true with this personal interview. Along the way we discuss everything from Santa Cruz to slush puppies to making the best grilled vegan cheese...

Tell us about the first moment you decided to roast your own coffee?

I can literally pinpoint the exact moment! I was travelling through America 2 years ago and I had stopped in Santa Cruz, a place I'd always wanted to go. I was sitting in The Santa Cruz Roasting Company café, reading an amazing Microcosm book called "Beyond The Music" which is all about people from the punk scene who have started ethical businesses. The 2 things must have twinned in my mind and I pretty much decided there and then that I was gonna start up a coffee roasting business. It all seems a bit random now but at the time it was like a light bulb going off in my head!! My life was at a bit of a crossroads at the time, my marriage had recently ended and I was planning on leaving a 15 year career as a psychiatric nurse. Part of the reason I'd gone on the trip (which ended up lasting 2 months) was because I'd been clutching at straws for what to do with my future generally and to get away and think because I feel like I think clearer when I'm travelling. I'd probably already come up with hundreds of other schemes over the few weeks previous but the idea of coffee roasting just stuck for some reason.

And did the dream of owning a coffee shop shortly follow?

Fundamentally the idea of owning a coffee shop came first. I'd always fancied the idea but talked myself out of considering it seriously because that's just how my brain worked up until a few years ago. I could always see the risk and the negatives long before I saw that I actually had some pretty cool ideas and that the only way I was ever going to be happy in life is if I put my destiny in my own hands. I hate work but I get bored really easily. Running my own business suits me in that context because it never feels like work and there's always something new to do. What I was lacking was guts. Roasting coffee felt like a safe way to develop a skill, learn about an industry and create a brand on a smaller scale and smaller budget than it would have taken to jump in and start a café with all the rent, overheads and risk involved. I always wanted that to be the end result though.

Sham City Roasters has a very strong brand - could you talk us through what inspired this and how it represents you as a person? How long did this take you to form?

Well, I think the brand came quite easily in some ways because I just applied all of the things I like to an industry that doesn't usually acknowledge anything other than grey dullness. I like music, I like trashy films and alternative culture, I like pink, I like bad puns and have a terrible sense of humour. I kind of just combined all of that and applied it to the coffee I was making. I treated starting a coffee company in the same way as I would treat starting a punk band. The coffee world is so grey and dull that I think that makes my brand stand out a bit more. 

Weirdly, I found a bit of note paper the other day from a hotel in Gainesville which was a later stop on that same trip I mentioned earlier and I'd drunkenly scrawled the logo on it. It must have been dark because some of the 3 X's missed the coffee cup and the steam was wonky but it pretty much looks exactly the same as the final version. Its weirder still because I didn't even draw the actual version, Dan Allen, who is an extremely talented person, drew that and, while I did give him a pretty clear description of what I wanted, I never showed him that drawing... Some sort of weird magic I guess. As far as the rest of the images I use, I tend to find awesome artists, give them a vague idea or a phrase and let them do whatever with it. I find that removing myself from the process tends to be the best way of getting the best work!

What has been the best piece of advice you've been given since starting SCR?

I've spent my whole life ignoring the same piece of advice and that is that if you want to do something, just do it, don't let anyone question it or put you off, just trust yourself and do it. Having been a part of the DIY punk scene since I was 15 I've heard that from so many people and have probably believed that I was doing exactly that but I look back on my teens and 20's and realise that I always stopped myself really pulling the trigger. I was brought up in an extremely risk averse family and I don't think I realised until quite recently how much that affected me in relation to living the life I wanted to. I always planned to do weird and wonderful things, I often started doing them, sometimes putting months of work into planning business and recreational ideas but when it came to actually jumping in I always found an excuse not to. My attempts at fulfilling the "do it yourself" aesthetic that I always put such importance in, always had minimal risks involved until I realised that its the risks that make this stuff worth doing, its putting yourself in challenging situations that lead to actual happiness. I was a late bloomer I guess.

After starting Sham City Roasters I found myself surrounded by a completely different set of people. Taking part in markets and mixing with other people who were self employed/running their own business was a huge kick up the arse for me. I started to realise all the times that I was just making excuses for myself for not putting myself out there due to lack of confidence or laziness. It was amazing to talk to people like Annah at Girl And Bird, Cat at Cat Food Cakes and you guys at SoLo who were all really doing it! It made me pull many fingers out.

So how is life comparing by the sea compared to London Town?

I bloody love it! I've always wanted to live by the sea and its just another thing I never pulled the trigger on, it was always something that I "was going to do in the future" (despite how ancient I'm getting) but its so good to have actually done it! I love London, I've lived in greater London my entire life but I was ready to get out. Hastings is such a magical place, its still pretty rough around the edges, it still looks like a "proper" English sea side town but there's loads of creativity going on, loads of weird and wonderful people and its small enough that you get to know people quickly. I've lived here for less than 2 months and I still have a lot of practical ties with London but I can already tell you I'm not moving back anytime soon. Also, I can buy slush puppies and cotton candy whenever the f**k I like now.

Can you share any other future plans you may be having?

Right now the café is using up all of my energy and its difficult to make future plans when you spend all your time obsessing over one thing. I have plans to get my coffee out to more shops and cafes but practically its pretty difficult to find the time to roast enough to do much more than I'm doing already. My future plans do include working out the greatest vegan grilled cheese recipe and developing the food that's available here. I also don't want to loose track of all the other things I do outside of the coffee shop, my bands, getting out to shows, walking to beautiful places and, most importantly, cuddling my cat.

Please tell our readers how they can find out more:

I recently started blogging at www.shamcityroasters.com. Thus far it hasn't really been about coffee that much but I'm gonna change that and spice it up a little bit in the coming months (that sounds like I'm gonna add nudity. I'm not). You can also find me on Instagram at @shamcityroasters if you wanna see pictures of vegan food and cats, that's the one I update the most although I'm on all the social medias so catch me on your favourite one if you wish!

Sham City Roasters Craft filter coffee roasters and vegan/vegetarian cafe in Hastings at The Clockwork Crow, 68 George St in the heart of Hastings Old Town

Sham City Roasters Logo
Sham City Roasters